Collections · Van Gogh
Van Gogh, restored for print
Every Van Gogh is in the public domain — the clearest case in art history. We restore his paintings from archival scans and sell them as 450+ finished prints in four formats. Twelve of them, chosen and annotated by the studio, are below.
LumenArtee is our own Etsy storefront — one of the three shops this studio runs. Every sale funds the next restoration.How we restore ·our open ledger · free Van Gogh wallpapers
The icons, restored
The Starry Night, 1889
The most reproduced night sky in art, and the one most often seen through a grey veil — copies of copies, darkened until the swirls clot. Ours is rebuilt from a clean source; the smallest stars stay separate.
Saint-Rémy · four formats
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Sunflowers, 1888
Fourteen flowers and at least three different yellows. The turquoise ground is the first casualty of a tired scan — and the first thing you notice when it comes back.
Arles · four formats
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Café Terrace at Night, 1888
The painting that opens our own gallery. What usually goes first is the gaslight — the yellows tip to orange and the night loses its cobalt. Both hold here.
Arles · four formats
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Almond Blossom, 1890
Painted for his newborn nephew, meant to hang over a cradle. In most circulating files the sky drifts toward mint; restored, it is the deliberate blue Vincent chose.
Saint-Rémy · four formats
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Irises, 1889
One white iris against a crowd of blue. The greens run from sea-glass to near-black, and keeping them apart is most of the work.
Saint-Rémy · four formats
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The Bedroom, 1888
The lilac walls are the test — most files flatten them to blue. Vincent described this room's colours to his brother in writing; that letter is the standard to restore against.
Arles · four formats
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Deeper into the catalogue
Six more, in the order he painted them — Paris to Auvers.
Self-Portrait with Grey Felt Hat, 1887
Winter in Paris — the strokes radiate from the eyes like iron filings around a magnet. At print size you can count them.
Paris · four formats
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Pink Peach Trees (Souvenir de Mauve), 1888
Painted days after arriving in Arles, in memory of his teacher Anton Mauve. Spring pinks are the first colour old reproductions lose; these have theirs back.
Arles · four formats
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Starry Night Over the Rhône, 1888
The earlier, quieter night — gas lamps doubling in the water. The reflections survive enlargement stroke by stroke; this is the one to print big.
Arles · four formats
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The Night Café, 1888
Vincent called it a place where a man could ruin himself. The reds and greens are meant to argue; restoration's job was to keep the argument loud.
Arles · four formats
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Wheat Field with Cypresses, 1889
The daytime sibling of The Starry Night — the same rolling sky, painted awake. The clouds carry the picture, and they print beautifully at width.
Saint-Rémy · four formats
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Wheatfield with Crows, 1890
Long read as his farewell picture. Three paths, a split sky, and blacks that need real depth to carry — the reason we restore at print resolution.
Auvers · four formats
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The rest of the room
The works above are a taste — the catalogue holds 450+ Van Gogh works. Browse it by subject:
Choosing a format
Rolled poster
The cheapest way in — pick it if you already own a frame or want one chosen for the room, not the shipment.
Framed paper
Arrives ready to hang, glass over paper — the classic museum-print look, and the safest default for most rooms.
Stretched canvas
No glass, no glare — texture close to a painting's, and a natural fit for painterly surfaces.
Framed canvas
The canvas texture with a finished edge — the most furniture-like of the four, and the largest sizes live here.
Prices vary by size and format; every listing shows all options in your own currency. Undecided? Ourprint format guidecompares the four honestly.
From the journal
Why is this work free to print in the first place?Van Gogh and the public domain — the full guide →