Collections · Modigliani
Modigliani, restored for the way you live
This collection presents selected Amedeo Modigliani portraits and nudes prepared from archival source files. Any rights conclusion is limited to the named work, intended sales territory and documented provider file, not the artist's output as a whole. GeMarkt’s archive contains 120+ work records; check the linked Etsy listing for current availability and options. Twelve are below.
Explore the edit on GeMarkt, then compare the sizes and print formats currently offered by our LumenArtee Etsy shop.
A considered place to start
Reclining Nude, 1917
From the series of nudes whose 1917 gallery showing the police shut down on opening day. Tired copies push the flesh toward brick; restored, the body stays warm against the deep red couch and the small blue eyes keep their calm.
The great nudes · current options on Etsy
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Nude Sitting on a Divan, 1917
Half-wrapped in a white chemise against a wine-dark wall. That crimson ground is the fragile part — it slides to flat brown in most files, and bringing it back is what lets the figure glow.
The great nudes · current options on Etsy
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Jeanne Hébuterne with Large Hat, 1918
Jeanne was nineteen under that straw brim, chin resting on one long hand. The hat's ochre and the burnt-orange wall sit a half-step apart — keep them separate and the whole picture breathes.
Portraits of Jeanne · current options on Etsy
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Self-Portrait, 1919
The only painted self-portrait he left, done months before his death — palette in hand, eyes almost closed. Dark copies swallow the russet coat whole; restored, the brushwork inside it comes back.
Paris · current options on Etsy
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Woman with a Fan, 1919
Lunia Czechowska in a mustard dress, paper fan raised. The original was stolen from a Paris museum in 2010 and has never been recovered — prints are how this picture is seen now, so the yellow against that red wall has to be right.
Paris · current options on Etsy
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Portrait of Jean Cocteau, 1916
The poet at twenty-six, upright in a borrowed Montparnasse studio; Cocteau liked to say it resembled the painter more than the sitter. The grey suit needs its green undertone, or the high red chair does all the talking.
Montparnasse · current options on Etsy
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Keep exploring
Six more, in the order he painted them — the sculptor's years to the last portraits.
The Cellist, 1909
Shown at the Salon des Indépendants in 1910, painted while he lived next door to Brancusi. The greens in the wallpaper are quiet but structural — lose them and the musician leans against nothing.
Early Paris · current options on Etsy
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Caryatid, c. 1913
One sheet from the years he called himself a sculptor, drawing caryatid after caryatid as columns for a temple he never got to build. The blue crayon ground is the first thing rough handling erases; here it keeps its weather.
Sculpture years · current options on Etsy
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Madam Pompadour, 1915
The title is lettered straight onto the canvas — a tease aimed, most agree, at his lover Beatrice Hastings under that outsized hat. The coral face against slate grey is the pairing restoration has to protect.
Montparnasse · current options on Etsy
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Chaim Soutine, 1917
His closest friend, painted at a table with a glass at his elbow. The folded hands are the tender part — dark copies bury the black jacket and take the hands with it.
Zborowski circle · current options on Etsy
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The Little Peasant, c. 1918
Painted in the south after illness pushed him out of Paris — a farm boy sitting as squarely as a lord. It is one of his palest palettes, and it turns chalky in careless files; restored, the milk-glass blues hold.
Nice · current options on Etsy
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Paysage dans le Midi, 1919
He painted almost no landscapes — a small handful from the Midi near the end, this among them. Cypresses on stilt-thin trunks above an orange roof; the greens run close together, and keeping them apart is the whole job.
Nice · current options on Etsy
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Follow what catches your eye
These works are only the beginning. The GeMarkt archive contains 120+ Modigliani records; current Etsy availability may change. Continue by subject:
Choosing a format
Rolled poster
The cheapest way in — pick it if you already own a frame or want one chosen for the room, not the shipment.
Framed paper
Arrives ready to hang, glass over paper — the classic museum-print look, and the safest default for most rooms.
Stretched canvas
No glass, no glare — texture close to a painting's, and a natural fit for painterly surfaces.
Framed canvas
The canvas texture with a finished edge — the most furniture-like of the four, and the largest sizes live here.
Prices and available formats vary by listing; Etsy shows the current options and currency for that work. Undecided? Our print format guide compares the four honestly.
From the journal
Why is this work free to print in the first place? Modigliani and the public domain — the full guide →