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Mucha, restored for the way you live

This collection presents selected Alphonse Mucha posters and panels prepared from archival source files. Any rights conclusion is limited to the named work, intended sales territory and documented provider file, not the artist's output as a whole. GeMarkt’s archive contains 190+ work records; check the linked Etsy listing for current availability and options. Twelve are below.

Explore the edit on GeMarkt, then compare the sizes and print formats currently offered by our LumenArtee Etsy shop.

A considered place to start

Zodiac (1896), Alphonse Mucha — restored fine-art print

Zodiac, 1896

Drawn as a house calendar for his printer, then bought by the review La Plume — this is that state, header and month-grid intact. The twelve sign medallions sit in a grey-blue ring that goes murky in most files; here each one stays legible.

Paris · current options on Etsy

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JOB (1896), Alphonse Mucha — restored fine-art print

JOB, 1896

The cigarette-paper poster with the swirling hair critics nicknamed 'macaroni'. On the violet ground the gold coils do all the work — recovered clean, they hold their line even at the largest print sizes.

Paris · current options on Etsy

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Summer (Été) (1896), Alphonse Mucha — restored fine-art print

Summer (Été), 1896

The panel that carries his first Seasons set — bare feet in the water, poppies in her hair. Everything depends on the cobalt sky behind her, and most circulating copies have faded it to grey; ours came back deep.

The Seasons · current options on Etsy

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Rêverie (1897), Alphonse Mucha — restored fine-art print

Rêverie, 1897

Made as the printer Champenois's calendar page for 1898, and admired into a decorative panel of its own. The ring of pink blossom against deep teal is the test — cheap files melt it into one rose smear.

Paris · current options on Etsy

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Bières de la Meuse (1897), Alphonse Mucha — restored fine-art print

Bières de la Meuse, 1897

Poppies, barley and hop vines piled into one improbable crown — a brewery commission treated like a decorative panel. The sky-blue lettering tips toward navy in tired copies; it reads bright here.

Paris · current options on Etsy

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Dance (1898), Alphonse Mucha — restored fine-art print

Dance, 1898

The one panel of The Arts caught mid-motion, hem and petals still travelling. The set was printed in soft silvers and ochres with almost no true black, so depth lives in small tonal steps — exactly what restoration protects.

The Arts · current options on Etsy

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Keep exploring

Six more, in the order he designed them — the Paris seasons to the late panels.

Salon des Cent: XXth Exhibition (1896), Alphonse Mucha — restored fine-art print

Salon des Cent: XXth Exhibition, 1896

His invitation for the print gallery at 31 rue Bonaparte, March 1896 — a veiled girl holding quill and brush as the house muse. Nearly the whole design is one flat gold ink; when a scan drifts it turns khaki. This one didn't.

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Monaco · Monte-Carlo (1897), Alphonse Mucha — restored fine-art print

Monaco · Monte-Carlo, 1897

A railway poster with no train in it: the P.L.M. sold the Riviera as a girl kneeling in spring, ringed by wreaths that curl like carriage wheels. The lilac and coral circles keep their separate colours here.

Paris · current options on Etsy

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Pater Noster (1899), Alphonse Mucha — restored fine-art print

Pater Noster, 1899

The opening page of Le Pater, his illustrated Lord's Prayer — the book he most wanted to be judged by, shown at the 1900 Paris World's Fair. Its parchment pinks are quiet on purpose; restoring it meant keeping them clean, not loud.

Le Pater · current options on Etsy

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Étoile du Soir (1902), Alphonse Mucha — restored fine-art print

Étoile du Soir, 1902

The Evening Star folds into her own drapery as the sky burns down to umber. The whole picture happens in browns a half-step apart, which is why dull copies lose the figure entirely — kept apart, she glows.

The Moon and the Stars · current options on Etsy

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The Introduction of the Slavonic Liturgy (1912), Alphonse Mucha — restored fine-art print

The Introduction of the Slavonic Liturgy, 1912

Among the first Slav Epic canvases finished at Zbiroh, painted in tempera at mural scale. The saints hover in blue above a crowd rendered almost without outline — printed wide, those floating figures keep their edges.

Slav Epic · current options on Etsy

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Zdeňka Černý (1913), Alphonse Mucha — restored fine-art print

Zdeňka Černý, 1913

A Prague-printed poster for the young Czech cellist, shown with her score in hand rather than mid-performance; the world tour it announced was cancelled by the war. The big letter block below is half the design, and it comes back crisp.

Prague · current options on Etsy

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Follow what catches your eye

These works are only the beginning. The GeMarkt archive contains 190+ Mucha records; current Etsy availability may change. Continue by subject:

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Choosing a format

Rolled poster

The cheapest way in — pick it if you already own a frame or want one chosen for the room, not the shipment.

Framed paper

Arrives ready to hang, glass over paper — the classic museum-print look, and the safest default for most rooms.

Stretched canvas

No glass, no glare — texture close to a painting's, and a natural fit for painterly surfaces.

Framed canvas

The canvas texture with a finished edge — the most furniture-like of the four, and the largest sizes live here.

Prices and available formats vary by listing; Etsy shows the current options and currency for that work. Undecided? Our print format guide compares the four honestly.